2 years ago • 4,276 notesPhotographer David DiMichele’s latest series, Pseudodocumentation, depicts imaginary art installations that playfully examine scale and perception, blur the lines between truth and fiction and question the act of looking at art. The L.A.-based photographer situates his subjects in dramatic surroundings—encircled by towers of melting ice, daunting slashes of bark and shards of glass.
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